Don has a long history of music composition, dating back to the early works done in the late seventies, specializing in the use of synthesizers and computer musical instruments.
• The Expanding Universe (30 minute evolving soundscape featuring the Acxel 1)
• Equinox (3D soundscape with “holophonic” sounds, featuring Acxel 1)
• Particle Danse (concrete soundscape featuring Acxel 1)
• Evolution (featuring the processed voice of the astrophysicist, the late Lev Kofman)
• The Higgs Field (3D sound, LHC prediction, created on the ARP 2600 Analog Synthesizer)
• Endless Universe (based on Cyclic Universe model of Paul Steinhardt and Neil Turok)
• Braneworlds (study of Lisa Randall’s book “Warped Passages”)
• Black Hole Computer (study of Seth Lloyd’s article in Scientific American, Nov. 2004)
• Holographic Graviton (study of physics of Juan Maldacena, Scientific American, Nov. 2005)
• Superpartners (3D sound, LHC prediction, all sounds designed on Arturia MOOG V)
• A Theory of Everything (featuring the processed voice of Leif Baker)
• Cosmological Constant (musings on Einstein’s anticipation of Dark Energy)
• Quark Confinement (musical reflection of asymptotic freedom and QCD)
• Cosmic Unity (Arp Quadra, Oberheim SM, ARP 2600, Roland System 100)
• March of the Gnomes (electronics, tin whistle, mandolin)
• Energy from the Void (Roland Vari-OS)
• The Strong Force (musical reflection of QCD and the color force)
• The Grove (3D, Logic EXS sampler-based)
• M-Theory (3D, utilizing software “M” by Cycling ’74, Logic)
• Vapours (3D, study of the Korg Trinity, Logic)
• Canterbury (3D, Roland S-750, Logic)
• Chroma (3D, Roland S-750, Logic)
• Symmetry (3D, Roland S-750, Logic)
• Alien Planet (4D, Genaudio AstoundSoundPro, winner “In The Mix” contest)
• Superconductance (Logic)
• The Casimir Effect (Logic, Yamaha VL-70 Physical Modeling Synthesizer)
• Cyborg (Tape composition)
• Wanderlust (Emulator 2, Performer)
• Gravity Wave (featuring Roland Vari-OS)
• Metronome Laser (3D, featuring the Access Virus)
